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	<title>Comments on: The Right Symbolism</title>
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	<description>culture, politics and spirituality</description>
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		<title>By: Susan Jonas</title>
		<link>http://arlenegoldbard.com/2009/05/16/the-right-symbolism/comment-page-1/#comment-155096</link>
		<dc:creator>Susan Jonas</dc:creator>
		<pubDate>Tue, 16 Jun 2009 05:15:08 +0000</pubDate>
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		<description>Hey, journalists need to do their homework! Landesman has an august and earned reputation in comemrcial producing -- for plays such as ANGELS IN AMERICA and CAROLINE OR CHANGE!! Now that&#039;s ballsy! No one else would have taken these and other plays to the commercial arena, much less made them sound financially-- a play about homosexuals and Mormons, and one about an unpleasant black domestic (no heart o&#039; gold), and how about M BUTTERFLY? He is clearly a humanist and committed to diversity and has excellent eclectic taste as well as a sense of fun. But along with his VISION within the commercial arena, he also has an extraordinary education from Yale in dramatic literature, has demonstrated a consistent commitment to education and the arts, and above all, is one of the few -- very few -- powerful high profile Americans who has dared to criticize very publicly (NY Times) the mainstream non-profits for blowing their missions by trying to ape or transform into commerical theatre. He is most likely then to keep the nonprofit movement, now quite derailed, ON MISSION. He&#039;s smart in so many ways, pulls no punches, and has vision and daring. What a brilliuant appointment. The level of discourse alone will rise substantially. Yippeeee!</description>
		<content:encoded><![CDATA[<p>Hey, journalists need to do their homework! Landesman has an august and earned reputation in comemrcial producing &#8212; for plays such as ANGELS IN AMERICA and CAROLINE OR CHANGE!! Now that&#8217;s ballsy! No one else would have taken these and other plays to the commercial arena, much less made them sound financially&#8211; a play about homosexuals and Mormons, and one about an unpleasant black domestic (no heart o&#8217; gold), and how about M BUTTERFLY? He is clearly a humanist and committed to diversity and has excellent eclectic taste as well as a sense of fun. But along with his VISION within the commercial arena, he also has an extraordinary education from Yale in dramatic literature, has demonstrated a consistent commitment to education and the arts, and above all, is one of the few &#8212; very few &#8212; powerful high profile Americans who has dared to criticize very publicly (NY Times) the mainstream non-profits for blowing their missions by trying to ape or transform into commerical theatre. He is most likely then to keep the nonprofit movement, now quite derailed, ON MISSION. He&#8217;s smart in so many ways, pulls no punches, and has vision and daring. What a brilliuant appointment. The level of discourse alone will rise substantially. Yippeeee!</p>
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		<title>By: Jodi Schoenbrun Carter</title>
		<link>http://arlenegoldbard.com/2009/05/16/the-right-symbolism/comment-page-1/#comment-153792</link>
		<dc:creator>Jodi Schoenbrun Carter</dc:creator>
		<pubDate>Fri, 29 May 2009 16:33:23 +0000</pubDate>
		<guid isPermaLink="false">http://arlenegoldbard.com/?p=574#comment-153792</guid>
		<description>I think Rocco is just what we need and that he gets exactly what non-profits are supposed to be - see links to some of his commentary here http://www.off-stage-right.com/2009/05/more-thoughts-on-rocco-and-the-nea.html . 

I hope the non-profit field can stop worrying about his commercial background and start paying attention to what a brilliant and innovative thinker he is.</description>
		<content:encoded><![CDATA[<p>I think Rocco is just what we need and that he gets exactly what non-profits are supposed to be &#8211; see links to some of his commentary here <a href="http://www.off-stage-right.com/2009/05/more-thoughts-on-rocco-and-the-nea.html" rel="nofollow">http://www.off-stage-right.com/2009/05/more-thoughts-on-rocco-and-the-nea.html</a> . </p>
<p>I hope the non-profit field can stop worrying about his commercial background and start paying attention to what a brilliant and innovative thinker he is.</p>
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		<title>By: More thoughts on Rocco and the NEA&#8230; &#124; off-stage right</title>
		<link>http://arlenegoldbard.com/2009/05/16/the-right-symbolism/comment-page-1/#comment-153791</link>
		<dc:creator>More thoughts on Rocco and the NEA&#8230; &#124; off-stage right</dc:creator>
		<pubDate>Fri, 29 May 2009 16:24:29 +0000</pubDate>
		<guid isPermaLink="false">http://arlenegoldbard.com/?p=574#comment-153791</guid>
		<description>[...] read Arlene Goldbard’s “advise to Rocco Landesman” yesterday.&#160; I was bothered that she did not seem to have much access to research into [...]</description>
		<content:encoded><![CDATA[<p>[...] read Arlene Goldbard’s “advise to Rocco Landesman” yesterday.&#160; I was bothered that she did not seem to have much access to research into [...]</p>
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		<title>By: Fractured Atlas Blog : Arlene Goldbard&#8217;s Advice to Rocco Landesman</title>
		<link>http://arlenegoldbard.com/2009/05/16/the-right-symbolism/comment-page-1/#comment-153659</link>
		<dc:creator>Fractured Atlas Blog : Arlene Goldbard&#8217;s Advice to Rocco Landesman</dc:creator>
		<pubDate>Thu, 28 May 2009 14:36:16 +0000</pubDate>
		<guid isPermaLink="false">http://arlenegoldbard.com/?p=574#comment-153659</guid>
		<description>[...] always agree with Arlene Goldbard, but she&#8217;s always a good, thought-provoking read. Her latest blog post addresses Rocco Landesman, the presumptive nominee to chair the National Endowment for the Arts. I have no doubt that Rocco [...]</description>
		<content:encoded><![CDATA[<p>[...] always agree with Arlene Goldbard, but she&#8217;s always a good, thought-provoking read. Her latest blog post addresses Rocco Landesman, the presumptive nominee to chair the National Endowment for the Arts. I have no doubt that Rocco [...]</p>
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		<title>By: Scott Walters</title>
		<link>http://arlenegoldbard.com/2009/05/16/the-right-symbolism/comment-page-1/#comment-153453</link>
		<dc:creator>Scott Walters</dc:creator>
		<pubDate>Wed, 27 May 2009 02:01:33 +0000</pubDate>
		<guid isPermaLink="false">http://arlenegoldbard.com/?p=574#comment-153453</guid>
		<description>Arlene -- I, too, am concerned about Landesman. However, if you read &quot;Second Act,&quot; which are the proceedings of a TCG conference on theatre, Landesman comes across with strong statements that the non-profit theatre has abandoned its purpose, which is reflected in this quoatation: &quot;&quot;I realized when we were doing Caroline or Change on Broadway as a commercial production and a non-profit was doing Barefoot in the Park that something was deeply wrong.&quot; 

Nevertheless, Broadway producers tend to be very NY-centric, and that concerns me as a recent recipient of an NEA grant to support my project to support rural theatres. Gioia made geographic diversity a priority -- will Landesman?

P.S. I hope to meet you at the NET conference next month.</description>
		<content:encoded><![CDATA[<p>Arlene &#8212; I, too, am concerned about Landesman. However, if you read &#8220;Second Act,&#8221; which are the proceedings of a TCG conference on theatre, Landesman comes across with strong statements that the non-profit theatre has abandoned its purpose, which is reflected in this quoatation: &#8220;&#8221;I realized when we were doing Caroline or Change on Broadway as a commercial production and a non-profit was doing Barefoot in the Park that something was deeply wrong.&#8221; </p>
<p>Nevertheless, Broadway producers tend to be very NY-centric, and that concerns me as a recent recipient of an NEA grant to support my project to support rural theatres. Gioia made geographic diversity a priority &#8212; will Landesman?</p>
<p>P.S. I hope to meet you at the NET conference next month.</p>
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