In my last essay, I used the civic frescoes of the 14th-century Sienese painter Ambrogio Lorenzetti as a starting-point for scrutinizing the culture of US politics as most appallingly revealed in our recent electoral process. I’ve heard or read a great many analyses of the election, but there’s a key point most seem to be …
A few days ago I wrote about the utter neglect of equity and wider awareness in arguments for their own funding being issued by “mainstream” arts advocates. “So what should they be saying and doing?” some readers asked. This is my answer. I’d be interested to know yours. First, a little context. There’s a persistent …