NOTE: I’m delighted to be once again cohosting a “virtual residency” with my friend and colleague Francois Matarasso on my blog and his. (You can access the previous residencies here: on ethics and on the future of community arts.) Starting 29 September, we’re publishing excerpts from our dialogue on public service employment past, present, and …
NOTE: I’m delighted to be once again cohosting a “virtual residency” with my friend and colleague Francois Matarasso on my blog and his. (You can access the previous residencies here: on ethics and on the future of community arts.) Starting 29 September, we’re publishing excerpts from our dialogue on public service employment past, present, and …
NOTE: I’m delighted to be once again cohosting a “virtual residency” with my friend and colleague Francois Matarasso on my blog and his. (You can access the previous residencies here: on ethics and on the future of community arts.) Starting 29 September, we’re publishing excerpts from our dialogue on public service employment past, present, and …
NOTE: I’m delighted to be once again cohosting a “virtual residency” with my friend and colleague Francois Matarasso on my blog and his. (You can access the previous residencies here: on ethics and on the future of community arts.) Starting yesterday, we’re publishing excerpts from our dialogue on public service employment past, present, and future. …
NOTE: I’m delighted to be once again cohosting a “virtual residency” with my friend and colleague Francois Matarasso on my blog and his. (You can access the previous residencies here: on ethics and on the future of community arts.) Starting today, we’ll publish excerpts from our dialogue on public service employment past, present, and future. …
Seven weeks ago I published two essays on the way U.S. arts advocates—the established institutions in particular—responded to the pandemic. The first one criticized the narrow, economistic, and backward-looking calls for funding issuing from red-carpeted marble halls. The second one called for very different statements and actions, grounded in social benefit, with investment in jobs …
Community-based arts work depends on close, collaborative relationships. Much of it relies on gathering in groups to take part in processes of self-discovery and to exercise the right to culture. It may be a path to personal development or political action. But whatever the intentions, community-based arts work braids pleasure and purpose to generate within …
With mind-boggling Cabinet appoints clogging the headlines, there’s barely been time to consider what impact a Trump administration might have on arts and culture in the U.S. But something is brewing to the north that suggests that regardless of who heads the government, the well-being of artists who work for positive social change is at …