Joi Ito, CEO of Creative Commons, was the luncheon speaker at Monday’s GIA meeting. His relaxed and likable presence comes across as realness personified. His low-key style gives me a sort of internal headshake. By the time Ito’s presentation ended, I was buzzing with a frequency of intellectual excitement I’d normally associate with verbal pyrotechnics. …
On July 1, education leaders in Burlington, VT removed from her post a school principal who was, by all reasonable accounts hugely admired and wildly successful at loving and educating the pupils in her charge. According to the New York Times, Joyce Irvine of Wheeler Elementary School… [W]as removed because the Burlington School District wanted …
As the U.S. pauses from work to celebrate freedom, what national liberation do you desire? At the risk of seeming ridiculous, I’d love the public interest to awaken from its self-imposed trance, putting the people’s business before self-serving politics. When a pig flies, you say? Look north, up in the sky, what’s that pink blob …
By now, I have tried out approximately one gazillion concepts, arguments and images intended to convey my passion for art’s public purpose. Some have great persuasive power and some, despite my deep conviction of their merit, don’t quite get over. Sometimes, these are like beloved children who learn to walk or talk behind schedule: you …
I don’t know if this is a political problem, a spiritual one, or a psychological one: I’m fairly certain it’s all of the above. Or maybe it just feels that way based on all the space it’s taking up in my mind. How do people overcome the obstacles—fatigue, disappointment, magical thinking—that make them reluctant to …
Current controversy around a work of art has me asking this question: what is our obligation to respect what is sacred to others, especially if it has no such significance to ourselves? In this story, four different notions of the sacred have come into conflict. Talk about a teachable moment! What can be learned from …
For several months now, I’ve been ending every talk I give with the same message to artists and activists: This moment of seismic shifts and insecurity in economies, governments and communities challenges us to make our work equally valid and powerful as art, as spiritual practice and as political speech or action. The first time …
This is the first section of a talk I gave on 19 June 2009 at the National Summit of Ensemble Theaters, meeting at the University of San Francisco. Click here to download the full text. I’ve just moved back to California, part of a big life-change for me. Whenever I come here, I touch down …
The movers come tomorrow to take our worldly goods to Kansas City, the mere name of which launches a song in the jukebox of my brain. I hope to have a lovely and musical time exploring my new home, and not to be too daunted by the things KC denizens keep telling this Californian to …
California is in my blood. But—full disclosure—it got there by transfusion. I was born in New York City. Before I was two years old, the three generations of my family then living in this country made the pilgrimage out west in time to meet my father when he mustered out of the Navy, ready to …